The Young Years Adoph Hitler Was Born On April 20, 1889 And Lived In

The young years: Adoph Hitler was born on April 20, 1889 and lived in south Austria. He left for high school at the age of twelve and did poorly and never did finish. In 1903, his father died when Hitler was only fourteen years old. In 1907, Hitler decided to leave for Vienna to attend the Academy School of Fine Arts. Due to his unsatisfactory drawings, Hitler failed to be accepted. Soon after that, he received a letter from his sister informing him of his mother's illness, cancer. Hitler headed back home to stay with his mother until the end. His mother died in the year of 1907, and Hitler tried again at the Academy School of Fine Arts. He was, again, rejected due to severe competition of acceptance. Hitler sold his paintings on the streets in order to survive. In August 1914, Hitler volunteered for the army. Later in his army career he received two of the most honorable awards, the first class iron cross. A man told Hitler of a rumor stating the Bavarian government is going to brea k away from Germany and join Austria. Outraged, Hitler gave many persuasive speeches on why the government shouldn't break away. Later Hitler took over a group and renaming it NSADAP, which is infamously known as the Nazi party. Hitler tried taking over the Bavarian government by force. This invasion caused his imprisonment of five years, but he happened to be released after about six months. While in prison, he began writing his book Mein Kamph (My Struggle). When Hitler was released from prison, he quickly found out that the Nazi party membership has fallen drastically. The party was no longer allowed to have private and public meetings and Hitler could no longer speak in public. Hitler was determined to bring the Nazi party back together. The party began to grow slowly and in secret, and after the stock market crash hundreds and soon thousands joined each month due to the public rallies produced by Hitler. With his popularity growing at an outrageous speed, Hitler decided to take over the whole country. Before the elections, he launched a major propaganda campaign. He soon won a seat in the Reichstag, German congress. Hitler had a chance at becoming Chancellor, but was beat out by the previous Chancellor, Charles Bruning. Now the Nazi was official the second largest party in the country, next to the Communist. Hitler was disgusted with the Communist party, and had their meetings attacked. At this time Hitler was not a German citizen, and a day before he was officially appointed Chancellor he became a German citizen. Hitler continued having storm troopers attacking Communist meetings. A close friend claimed to have official documents saying that the Communists were planning a revolution. The Reichstag was later set on fire, and Hitler believed it was the beginning of the Communist Revolution. The Nazi party was growing extremely fast, beating out the Communist party. In the Third Reich, Hitler had total control. Hitler came to realize that he must combine the powers of the president and the Chancellor. Though after the death of the President, he held an election to combine the companies. He launched another propaganda company, and he won. Hitler had total control, and he had to answer to no one. The expansion of on Germany began in 1938, when Hitler's army marched into Austria, and later into Czechoslovakia. The invasion of Poland 1939 triggered World War II, a war that last almost five years and cost the lives of nearly fifty million people. Hitler's intense racism led to the infamous Holocaust, in which, the exterminating of million innocent people, especially Jewish. On April 29, 1945, Hitler heard of Mussolini's death, and decided that he too should die. Then, he and Eva Braun, his girlfriend, sat on a sofa. He shot himself in his right temple as she bit into a poison capsule.

Novo Nordisk and Ypsomed Selfcare Solutions

Novo Nordisk and Ypsomed Selfcare Solutions Novo Nordisk, a pharmaceutical company founded in Denmark in 1923, has been a pioneer of innovative insulin delivery methods for the treatment of diabetes with brand names Levomir‚Â ® (an injection pen that uses a pre-filled, replaceable insulin cartridge) and AERx‚Â ® (an insulin inhalant). While Novo Nordisk continues to be the world leader in diabetes treatment, the company has expanded into other areas of research and development including human growth hormone and hemostatic products in their biopharmaceuticals. Biopharmaceuticals is the method of developing products by biological process rather than chemical process often utilizing recombinant DNA, or DNA that is a combination of two or more organisms (Exploratorium, 2006).Ypsomed Selfcare Solutions, a company based in Burgdorf, Switzerland, was established in 2003 as a result of the split of the Burgdorf-based Disetronic Groups and is also involved in the medical appliances and equipment industry. Ypsomed is involved in the development and manufacture of custom-made injection pens and compatible pen needles for the administration of self-injection solutions by patients (Ypsomed Selfcare Solutions, 2003-2006).Novo Nordisk Kalundborg 20130729_003The company's products can be used for a variety of applications and therapies such as insulin therapy, growth hormone therapy, and osteoporosis and blood glucose monitoring. Ypsomed currently distributes its products primarily in Europe, but expect their market to grow worldwide due to the dramatic increase in diabetes cases.PriceWaterhouseCoopers is the auditor of records for these two companies (Ypsomed Annual Report, 2005 and Novo Nordisk Annual Report, 2005).Novo Nordisk Financial Data-2005 Annual ReportNovo Nordisk was the first Scandinavian company to be quoted on the New York Stock Exchange, and is now an international company with representation in 69 countries (Wikipedia, 2005). The 2005 annual report states the company had a turnover of DKK 33.8 billion, or approximately 4.5 billion EUR (X-rates, 2006). Total sales for diabetes...

Read the case and assignment, and answer the question. don't find any Assignment

Read the case and , and answer the question. don't find any resource from Internet or other book - Assignment Example The force is only significant when certain suppliers within the industry can differentiate their products to improve the quality of the industry’s products. However, the supplier bargaining power can influence the industry since not all suppliers possess all the movies available in the movie rental industry. Potential new entrants pose a strong competitive force within the movie rental industry. The dynamic nature of markets makes it easy for emerging firms to penetrate the market to fill any identified gaps within the industry. Existing firms do not have any control over the changing markets. New entrants increase the competitive forces within the industry. Similar firms in the industry compete on the basis of ‘business rivalry’ among themselves. The strength to attract customers among multiple sellers in the industry is the strongest competitive force. Customers are satisfied by the product that satisfy their needs, and maximizes their utility. Movie libraries compete to attract customers with the aim of maximizing revenue. The firm with the largest customer base becomes the most preferred firm among the existing and prospective customers. There are numerous changes about where and how movie rentals can be sourced. Movie rentals can be obtained from cable, fiber-optic, and satellite television providers. Consumers can connect their television sets to the internet to stream movies from online providers. Consumers are at liberty to obtain movie DVDs by; The internet has proven to be limitless within the movie rental industry. Advancements in technology have forced Netflix, Hulu Plus, and Amazon Prime Instant Video to resolve to online streaming as opposed to the traditional pay-per-view rentals. The gradual transition from pay-per-view and Video on Demand (VOD) rentals to unlimited internet streaming is a driving force in the movie rental industry. The dynamic nature of the movie rental industry

Micro & Macro Economic Analysis - Electronic Arts Coursework

Micro & Macro Economic Analysis - Electronic Arts - Coursework Example Similarly if one variable falls, the other is destined too as well. Today In the modern world, the theory of demand and supply seizes more emphases of business analysts in decision making. Demand and Supply theory in the modern world of fierce competition enfolds a great deal of attention for strategic planning to achieve competitive advantage over rivals. The phrase â€Å"Demand and Supply† was first used by James Denham-Steuart in his book named â€Å"Inquiry into the Political Economy† which was published in 1767 (Steuart Denham et al, 1966). The theory discussed above is supplemented by the characteristics of the market in which the company exits. Conventionally there are four basic types of market structures. Perfect competition: such markets have many buyers and sellers, none being able to influence prices. Oligopoly: several large sellers who have some control over the prices. Monopoly: single seller with considerable control over supply and prices. Monopsony: single buyer with considerable control over demand and prices. The company with its gaming products operates in the Oligopolistic environment. Where there are several large producers but have a tendency to dominate major markets across the globe and influence some change in prices (Sloman, 2010). The concept of elasticity comes into play here. Elasticity is the measurement of how changing one economic variable affects the other. Elasticity of demand can be of three basic types; Price elasticity of demand – measuring the dynamics of the quantity demanded by the change in price. Income elasticity of demand – measures the dynamics of quantity demanded by changes in consumer income. Cross elasticity of demand – measures the responsiveness of quantity demanded by changes in price of another good. The concept in itself is a complete strategy. When ascertaining price of a product these elasticity’s should be kept in mind (Sloman, 2010). A detailed analysis of the Micro and Macroeconomic environment of Electronic Arts Inc is conducted below in detail, to explain the subject without obstruction. MICROECONOMIC ANALYSIS The demand and Supply theory as discussed above are amongst issues one needs to cater before planning product launch, indulging in price war s and budgeting for marketing. As the demand and supply curve has serious implications on the pricing strategies being adopted, there should be reasonable understanding of the subject matter before decisions are made. For the purpose of explaining the subject effortlessly, let’s consider the example of the world’s largest video game developer Electronic Arts, Inc. Electronic Arts (the company) is America’s largest developer, marketer, publisher and distributor of video games. The company has a well diversified portfolio of products and geographical presence all over the globe. Under such circumstances the demand and supply implications are more severe for planning purposes as different conditions will be faced by the business analyst across geographical horizons. (Electronic Arts, 2011) Demand and supply has remained unchanged and unchallenged till date. There has always been a gap in the demand and su

Fail to Plan, Plan to Fail Essay Example for Free

Fail to Plan, Plan to Fail Essay Those who fail to plan, plan to fail, or at least plan not to improve, according to the management literature. Look at school improvement, and there’s similar agreement pretty much across the literature that the schools that improve are the ones that plan. They establish a clear educational vision and consequent shared mission; identify goals or objectives that enable them to achieve that mission and thereby realise that vision; audit themselves, thereby identifying areas for improvement; and develop and implement educational programs on the basis of leadership 57 that audit that address areas for improvement n ways that help them achieve the mission. That process, much of the literature suggests, is recursive or cyclical. The key in the school improvement literature seems to be that there’s a first step, identifying your vision and shared mission, that then informs the next step, the planning process of identifying goals or objectives aligned with the vision and mission. Whether you look at the management literature or the school improvement literature, at its simplest, goal setting is a way of asking what do we want, do we have what we need so that we can develop and implement what we plan, do our various goals elate to one another or are any in conflict, and is there anything we’ve overlooked, including internal and external blockers? There, in 200 or so words, you have the whole easy-peasy school improvement planning story, and can stop reading and go and get that coffee right now. Or not. The problem, if you’re still reading, is that planning and goal setting can sometimes lead to fragmented, uncoordinated programs with conflicting objectives that actually work against one another. Yes, setting specific, challenging goals, and developing and implementing educational programs to meet them can drive school mprovement, but as Adam Galinsky, author with Lisa Ordonez, Maurice Schweitzer and Max Bazerman of ‘Goals gone wild,’ in the 58 teacher june/july 2009 Journal of the Academy of Management Perspectives, told the Boston Globe’s Drake Bennett, goal setting ‘can lead to crazy behaviours to get people to achieve them. ’ ‘We contend,’ write Ordonez, Schweitzer, Galinsky and Bazerman in ‘Goals gone wild,’ ‘that goal setting has been over- prescribed. In particular, we argue that goal setting has powerful and predictable side effects. Rather than being offered as an â€Å"over-the-counter† salve for boosting performance, oal setting should be prescribed selectively, presented with a warning label and closely monitored. ’ Tunnel vision To be fair, Ordonez, Schweitzer, Galinsky and Bazerman have their eyes set on performance management, and its tendency to an outcome orientation like a defined sales target, say, or reduced time spent on a process, rather than school improvement, and its tendency to the systemic development and implementation of programs. Nonetheless, people in a school who want to improve it will end up setting, or having set for them, some kind of performanceoriented goal. The message from Ordonez, Schweitzer, Galinsky and Bazerman is that they should pursue that goal with care. Let’s consider why goals, as Ordonez and colleagues put it, go wild. The first reason, they argue, is that a goal might be inappropriate or so specific that in pursuing it, people ignore important elements of their behaviour, and maybe even their attitudes and values, that are not specified by the goal. ‘Suppose that a university department bases tenure decisions primarily on the number of articles that (academics) publish,’ they write. ‘This goal will motivate (the academics) to accomplish the narrow objective of publishing articles. Other important objectives, however, such as research impact, teaching and service, may suffer. ’ Worse, say Ordonez and colleagues, referring to Barry Staw and Richard Boettger’s ‘Task revision: A neglected form of work performance’ in the Academy of Management Journal, goals can give us tunnel vision. In their study on the effects of goals, Staw and Boettger asked students to proofread a paragraph that contained both grammatical and content errors. They found that those asked simply to ‘do your best’ corrected both grammatical and content errors, while those who were asked specifically to correct grammar gnored content, and those who were asked specifically to correct content ignored grammar. The reason? Goals ‘inform the individual about what behaviour is valued and appropriate,’ argue Staw and Boettger. The goal-setting problem, Ordonez and colleagues add, is that when we plan we tend to latch on to specific, measurable standards rather than complex sets of behaviours, and the attitudes and values that underlie them, precisely because specific standards are easy to measure and complex sets of behaviours are not. Command performance The goal-setting problem, essentially, depends n whether a goal is set by command or by consultation, negotiation or – horror – genuine collaboration. Goals set by command are, by definition, set by those with the power, whether you like it or not, to set them. The risk of such goal setting is that, first, it may lead to goals that are inappropriate or overly specific and, second, that leaders and their followers can be prone to what could be called target fixation or what Christopher Kayes, calls ‘destructive goal pursuit’ in Destructive Goal Pursuit: The Mount Everest disaster, to which Ordonez and colleagues also refer. As they note, ‘Kayes identifies warning signs of leaders who have become excessively fixated on goals. These occur in leaders who express narrowly- defined goals, associate goals with destiny, express an idealised future, offer goal-driven justifications, face public expectations and attempt to engage in face-saving behaviour. ’ It’s a useful checklist to use to audit yourself or a leader in your institution, but remember, we tend to latch on to specific measurable things rather than complex sets of behaviours, and the attitudes and values that underlie them, precisely The goal-setting problem s that when we plan we tend to latch on to specific, measurable standards because specific standards are easy to measure. leadership 59 because the specifics are easy to measure and complex sets of behaviours are not. Performance anxiety Of course, one of the main planks of the education policy of this and the previous Commonwealth government is the standards agenda – the benchmarking of student achievement outcomes, which educators and schools then strive to achieve, and which at their worst could end up as ‘league tables. ’ Whether you’re a fan of the standards agenda or not, it’s clearly the mother of all oals in Australian education, and worth considering in terms of goal setting. Ordonez and colleagues have some interesting observations to make, particularly about what they call the serious side-effects of setting challenging or so-called stretch goals. These, they argue, can lead people to choose riskier strategies and to cheat, and can create a culture of competition that erodes cooperation. On ethics, they argue, ‘The interplay between organisational culture and goal setting is particularly important. An ethical organisational culture can rein in the harmful effects of goal setting, but at the same ime, the use of goals can influence organisational culture. Specifically, the use of goal setting, like â€Å"management by objectives,† creates a focus on ends rather than means. Goal setting impedes ethical decision making by making it harder for employees to recognise ethical issues and easier for them to rationalise unethical behaviour. Given that small actions within an organisation can have broad implications for organisational culture, we postulate that aggressive goal setting within an organisation will foster an organisational climate ripe for unethical behaviour. That is, not only does goal setting irectly motivate unethical behaviour, but its introduction may also motivate unethical behaviour indirectly by subtly altering an organisation’s culture. ’ Handle with care If the bad news of the government-mandated standards agenda is that there’s a risk of a form of goal setting that creates a focus on ends rather than means, the good news for schools is that the school-improvement literature puts a premium on one thing that’s evident in the first 200 words of this story: collegiality. With any luck, your school- improvement planning process and the goals that you consequently set are the result of onsultation, negotiation and collaboration, not command and, if they are, chances are yours are learning goals, not performance targets. As Ordonez and colleagues observe, performance goals inhibit learning. ‘When individuals face a complex task, specific, challenging goals may inhibit learning from experience and degrade performance compared to exhortations to â€Å"do your best. † An individual who is narrowly focused on a performance goal will be less likely to try alternative methods that could help her learn how to perform a task. Overall, the narrow focus of specific goals can inspire erformance, but prevent learning. ’ As Edwin Locke and Gary Latham recommend in ‘Building a practically useful theory of goal setting and task motivation: A 35-year odyssey’ in American Psychologist, we should be setting ‘learning goals’ in complex situations rather than ‘performance goals. ’ The problem, as Ordonez and colleagues note, is that, ‘In practice, however, managers may have trouble determining when a task is complex enough to warrant a learning, rather than a performance, goal. The goal of setting the right goals is itself a challenging affair. ’ Perhaps it’s time for a new axiom: those ho fail to plan carefully, plan at their peril.

Albania Essay -- essays research papers

Albania: The Development of a Developing Country Albania, a small country located in Southeastern Europe, is a nation that does not have a true identity – its people are Muslim and Christian, it is a country that is both and poor, it is as much urban as it is rural, and has evolved from monarchy to socialism and now to fledgling democracy. In other words, Albania and its people have seen it all. The extremes of Albanian society are vivid, and underlying tensions are evident. But Albania is not â€Å"another Yugoslavia† – there is no doubt that the internal environment of Albania has been and somewhat continues to be tense, although the breaking point has never been fully reached. Albania is a country with a fervently tense past (especially during the Cold War era), yet many people do not know about it, and few would be able to find the country on the map. Despite its beautiful during, its plentiful natural resources, and its extraordinary tradition of hospitality, Albania has always been â€Å"the most isolate d country in Europe and from World War II until very recently, one of the most isolated countries on earth† (â€Å"Real Adventures – Albania† 1). Amongst the booming economies of Europe, Albania is markedly poor, and is trying to make the difficult transition to a more modern open-market economy. In addition, the government is taking steps to encourage economic growth as well as trade. Albania, according to 2003 estimates, â€Å"has a GDP of $16.13 billion, with a per capita GDP of $4,500† (â€Å"Albania – CIA Factbook† 2) This is an improvement over the Cold War era, in which Albania’s economy was a complete disaster – still, however, Albania’s economy is considerably weak compared to its European neighbors. The economy is helped by â€Å"remittances from people abroad of $400-$600 million annually, mostly from Greece and Italy, and this money helps lower the sizable trade deficit† (â€Å"Real Adventures – Albania† 1). Agriculture, which accounts for half of Albania’s GDP, is frequently stifled because of recurring drought and the burden of having to modern ize their equipment and trying to make use of sparse land. What also complicates economic matters is that there have been severe energy shortages, and old-fashioned and highly inadequate infrastructure makes it difficult to attract large-scale foreign investment, which accounts for 18.7 % of Albania’s GDP (according to 2003 estimates... ...r† (Clunies 133). Homelessness and hunger are higher now than under the Communists Communications. Meanwhile, protests in Albania continued, leading to the removal of several hard-line Communists from the government and party Politburo.   Ã‚  Ã‚  Ã‚  Ã‚  Despite its isolation for decades and its ruling by a repressive regime that denied them their most elementary rights, the Albanians have undergone significant cultural, social, and economic transformations; they are no longer â€Å"a largely uneducated peasant education, characterized by a clan mentality, as often portrayed by the Western media† (Clunies 149). The majority of the Albanians evidently recognize that national reconciliation, a major aspect of the program of the Democratic Party, is the best way for the successful revival of their poverty-stricken country. Albania is endowed with considerable mineral resources and has a young, dynamic population, eager to join the rest of the world. Now as it enters the post dictatorship phase, it desperately needs the assistance and friendship of the outside world. Without that assistance, Albania’s fledgling democracy may be doomed for failure before it even begins to grow.

Lyric

Originally a lyric signified a song sung to the accompaniment of a lyre. Thus lyric still carries the sense of a poem written to be set to music. A lyric Is a common short poem uttered by a single speaker who is expressing his state of mind very often in solitude. In dramatic lyric the speaker is represented as addressing another person in a specific situation like the poem Connotation by John Done. The genre comprehends a great variety of utterances from say the Dramatic Monologues of Browning complex evolution of feeling in the long elegy and the meditative ode.The recess of observation, thought, memory and feelings may be organized in a variety of ways in deferent lyrical expressions. Lyric is a poem in which the poet writes about his thoughts and feelings. The basic type Is the song, but we use the term to cover all poems that present the poet's Immediate response to life, Including sonnets odes and elegies. Lyric poem deals with a range of experiences such as love, death, nature or religion or some domestic, social or political issue *Abstract Poem: It is a term used by Dame Edith Stilwell for verse that depends chiefly upon its auditory values for Its meaning.Such poetry Is analogous to abstract painting In which the arrangement of colors and shapes is significant though no physical objects are represented. Words are employed with little regard for their usual connotations, but rather for their aural effectiveness in a pattern of full and approximate rhymes and in the manipulation of rhythm. Stillwell own poems In the collection called Facade exemplify the type: These lines from her â€Å"Hornpipe† where, we hear, the dumb Sky rhinoceros-glum Watched the courses of the breakers' rocking-horses and with Glacis Lady Venus on he settee of the horsehair sea! Ambiguity: In ordinary usage the term ambiguity means a vague or equivocal expression. Since William Meson published his Seven types of Ambiguity (1930) the term has widely been used to refer to a poetic device: the use of a single word or expression to signify two or more distinct references, or to express two or more diverse attitudes or feelings. Multiple meaning and popularization are alternative terms for the use of language. Egg: in the play Antonym and Cleopatra when Shakespeare makes Cleopatra say â€Å"Come thou mortal wretch.. He implies a double edge to the word â€Å"mortal. Here it Implies both that the asp Is â€Å"fatal† or â€Å"death- dealing† and at the same time It Is Itself subject to death. *oddball: The popular ballad also called the folk ballad is the song, transmitted orally which tells a story. Ballads are thus the narrative species of folk songs, which originate and are communicated orally among illiterate or partly literate people. In all probability the original version of a ballad is composed by a single author, but he or she Is unknown; and each singer who learns and repeats an oral ballad is apt to introduce changes in OTOH the t ext and the tune, it exists in many variant forms.Typically the popular ballad is dramatic, condensed and impersonal: the narrator begins with the climax and tells the story tersely by means of action and dialogues, sometimes by means of dialogue alone and tells It without self-reference or the expression of personal attitudes or feelings. The most common stanza form called the ballad stanza- is a 1 OFF lines rhyme. Egg: this ballad from â€Å"Sir Patrick Spend† The King sits in Dumpling town, Drinking the blued-red wine: â€Å"O what will I get a GUID sailor, To sail this ship of mine? *Fabian verse: Consists of unrushed iambic (v pentameter (five iambic verse) hence the term â€Å"blank. † Of all the English metrical forms it is closest to the natural rhythms of English speech and at the same time flexible and adaptive to diverse levels of poetic discourse and hence has been more frequently and widely used than any other type of versification. Shakespeare made wide use of the blank verse in his famous soliloquies. *Aegis: It denotes any poem written in elegiac meter (alternating hexameter and pentameter lines).The term was used, however, to refer to the subject matter of change and loss. In the late sixteenth and seventeenth centuries the elegies were love poems that related to the sense of elegy as lament in that many of them emphasizes mutability and loss. It is in the latter part of the seventeenth century that the term elegy began to be limited to its most common present usage; a formal and sustained lament in verse on the death of a particular person usually ending in consolation. Examples are: W.H Addend's In Memory of W B Yeats', Alfred Lord Tennyson In Memoriam. The dirge is also a versified expression of grief on the occasion of a particular person's death but differs from the elegy in that it is short and is less formal and is meant as a text to be sung. An important variant of the elegy is the pastoral elegy which represents both th e poet and the one he mourns as shepherds. Million's Lucidly is a fine example of pastoral elegy. *Free Verse: It is also called â€Å"open form† or by the French term verse libber.Like traditional verse it is printed in short lines instead of with the continuity of prose. However it differs from regular erase in that its rhythmic pattern is not organized into a regular metrical form?that is into feet, or recurrent units of weak and strong stressed syllables. Most free verse also has irregular line lengths, and either lacks rhyme or else is used only sporadically. The King James translation of the Biblical Psalms and Song of Solomon are examples of free verse.The following section from Longboats Hughes' free verse poem â€Å"Mother to Son† Well, son, I'll tell you: Life for me anti been no crystal stair. It's had tacks in it, And splinters, ND boards torn up, And places with no carpet on the floor? Bare. *Sonnet: Sonnet is a lyric poem of fourteen iambic pentameter lin es linked by an intricate rhyme scheme. The Italian or Patriarchal sonnet falls into two main parts: an octave and a sestets. The octave is of eight lines rhyming baobab, this is followed by a asset a six line stanza rhyming CDC.The octave presents the theme in the first quatrain and develops it in the second. The sestets dwells on it and brings it to a logical conclusion in the final trace. The Patriarchal form was later used for a variety of subjects by English poets like Milton, Wordsmith Christina Rosette and so on. The the English sonnet or the Shakespearean sonnet after its greatest practitioner. This sonnet falls into three quatrains and a concluding couplet with a rhyme scheme ABA CDC beef egg. These sonnets usually deal hopes of love and themes like pangs of separation.One notable variant of this form is the Spenserian sonnet in which Spencer linked each quatrain to the next by a continuing rhyme: ABA Bcc CDC e. The English form often repeats with variation a statement in e ach of the three quatrains, however in either of the case the final couplet usually imposes a final epigrammatic turn to the whole theme. *Epic: It is a long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi- divine figure on whose actions depend the fate of a whole tribe, a nation or as in John Million's Paradise Lost the human race.The epic was ranked by Aristotle as second only to tragedy and by many Renaissance critics as the highest of all genres. Literary epics are highly conventional compositions and usually share the following features. 1 . The hero is a figure of great national or even cosmic importance. In ‘Iliad he is the Greek warrior Achilles, who is the son of the sea nymph Thesis and Virgin's Names is the son of the goddess Aphrodite. 2. The setting of the poem is ample in scale and could be the whole world or even vaster. . The actions involve superhuman deeds in battle, such as Achilles' feats in the T rojan War or the long arduous wanderings of Odysseus on his way back to his homeland. 4. An the great actions Gods and other supernatural beings take an interest and an active part. 5. An epic poem is a ceremonial performance and is narrated in a ceremonial style which is deliberately assistance from the ordinary speech and rendered in a language in keeping with the grandeur of the heroic subject.The epic conventions like beginning with an invocation to the muse to guide the narrator in the great undertaking are also very often observed. The term epic is also applied by extension, to narratives which differ in many aspects from this model but manifest the epic grandeur and spirit in the scale scope and the profound human importance of their subject. Herman Melville Mob Dick, Leo Tolstoy War and Peace both serve as examples of what is called epic ration. *Ode: A long lyric poem that is serious in subject and treatment elevated in style and elaborate in its stanza structure.The protot ype of an ode was established by the Greek poet Poniard whose odes were modeled on the songs by the chorus in Greek drama. The complex stanzas of an ode were patterned in sets of three: moving in dance rhythm to the left is chanted the strophe; moving to the right is chanted the antiheroes then standing still at the centre is the epode. The regular Pandemic ode in English is written in the Pandemic form with the strophe and intentions written in one stanza pattern and all the epode in a different stanza pattern.The Pandemic odes were written in necromantic style; that is they were written to praise and glorify someone. The Pandemic odes were written to celebrate and glorify the victorious athletes in the Olympic Games. The English odes true to its Greek prototype were songs that were written in praise of someone or something. They were written to eulogies something that aroused the poet's sensibility. Keats' Ode on a Grecian Urn is a eulogy to the beauty etched on an Urn that the po et sees.